Before I Go To Sleep

before-i-go-to-sleep-poster-debuts-online-165153-a-1404314515-470-75We are a somewhat squeamish Sloth.  So when Before I Go To Sleep opened with an extreme close up of Nicole Kidman’s graphically bloodshot eye, we nearly had to reach for the smelling salts.  

Christine (Nicole Kidman) has lost her memory. Each morning she wakes up in bed next to an apparent stranger who turns out to be her husband, Ben (Colin Firth).  Ben patiently explains to her, as he has done each morning for numerous years, that she is suffering amnesia after an accident. Each day Christine will learn anew about the life she leads until she goes to sleep, at which point her memory is wiped once again.

But in the past two weeks Christine, unknown to Ben, has secretly started treatment with neurologist Dr Nash (Mark Strong).  Keeping a daily video diary at his instruction to aid her memory, she begins to experience flashbacks from her earlier life. Flashbacks that lead her to question whether Ben is being entirely truthful to her.

Before I Go To Sleep is based on the mega-hit, best seling novel. Which naturally raises the question – is it better than the book? Well, no. But how many films are?  Much as The Sloth loves the moo-vies, the nuance and detail of 500-odd written pages are seldom improved by reducing to 90 minutes of screen time. So let’s judge it on its own merits. It might not reach the Hitchcockian-esq heights it clearly aspires to – all claustrophobia and menacing score – but it kept us cheerfully hooked for all of those 90 minutes. Boasting a subversively sinister turn from Colin Firth, and equally confounding Mr Nice Guy turn from rent-a-villan Mark Strong, if you need a servicable little runaround of a thriller, it’s perfectly reliable.

UK release 5 September

The Railway Man. Reaching The End Of The Line.

railwayColin Firth is a crackingly good actor who deserves better than to be eternally known as Mr Billowing Shirt And Wet Breeches. The Sloth is pleasingly reminded of this every time we watch one of his movies and The Railway Man is no exception.

Based on a true story, it recounts the experiences of Eric Lomax (Colin Firth) a British WW2 veteran. Geeky Eric, a self-professed ‘railway enthusiast’, lives alone and spends his life riding trains or meeting with his ex-soldier comrades. Till one day, onboard yet another Intercity express, he meets the lovely Patricia (Nicole Kidman desperately trying to look mousey and failing dismally – a miscasting in the only bum note). After a sweetly old-fashioned courtship they marry, but wedded bliss quickly fades when it comes to light that Eric is suffering extreme Post Traumatic Stress Disorder.

In desperation, Patricia seeks help from Eric’s former comrade Finlay (Stellan Skarsgård), who reluctantly reveals Eric was brutally tortured at the hands of the Japanese. Furthermore, Eric’s antagonist, Nagase (Hiroyuki Sanada) is alive and works as a guide showing visitors round the prison where the atrocities took place, a fact Finlay has kept hidden. Deciding Eric must deal with his demons, Finlay reveals Nagase’s existence and leaves Eric to act as he sees fit.

Flitting between present day and wartime flashbacks, it doesn’t shy away from the horrific barbarism that took place. Nor does it water down the slowburning, long term mental toll of such abuse. Eric and his comrades might now be physically healthy but they are mentally shattered, beautifully depicted by Colin Firth and Stellan Skarsgård.

It struck The Sloth that in most films, the romantic meeting of Eric and Patricia would be the happy ever after ending to Eric’s problems. Here, doubtless more realistically, it’s only the beginning. A sobering tale, but an important one.

UK release 10 January