Eye In The Sky. Somebody’s Watching You….

Eye in the Sky Movie (1)

The Sloth loves Helen Mirren. Partly because at 60+ she can randomly dye her hair pink and look good, not mad. Partly because she’s never had ‘work done’.  But mostly because there are few other actors who can play ‘ballsy’ with anywhere near as much panache, exemplified by her career defining role as Prime Suspect’s D.S. Jane Tennison. So the prospect of Helen as high ranking British Army Colonel Katherine Powell in Eye In The Sky boded extremely well.


Colonel Powell is in pursuit of a suspected terrorist cell in a Kenyan village. Having monitored and tracked her suspects for some time, she is desperate to eliminate them before they can carry out an imminent suicide bombing. But despite wearing full combat fatigues, hers is no old-skool, guns ‘n’ ammo military operation, rather it is a war of stealth and technology, waged from thousands of miles away.


Having enlisted the help of a high ranking pal in the US Army, Colonel Powell has a US drone, piloted by Steve Watts (Aaron Paul), hovering over her suspects, missiles primed for launch. On the ground she has local intelligence agent Jama Farah (Barkhad Abdi) stationed nearby. Having obtained clearance from the British Government, she has the go ahead. But just as Steve is about to push the button, a young local girl appears on the street outside the cell and sets up a bread stall, which puts an enormous spanner in the works. Do they now knowingly kill one child to prevent the terrorists potentially killing multiple children?


Eye In The Sky is that simple. One pertinent moral question that asks ‘what would you do?’. Set in real time, it shows the weakness of government ministers who dither and refer upwards to their superiors, the sobering reality of taking a life hitting home to the drone pilot, who till now has been cocooned in a pod. It’s also a frankly disturbing insight into how sophisticated military technology has got (word of warning – that annoying buzzing bluebottle in the corner might not be what is seems…). With excellent performances throughout, including Alan Rickman’s last role before his untimely death, it’s that a rare cinematic beast – one that asks us to engage our intelligence. How refreshing.

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A Little Chaos. Digging Deeper.

a_little_chaos_posterThe Sloth recently read a review referring to Matthias Schoenaerts as the ‘hunk du jour’ and we laughed a lot. For indeed, whilst The Gosling has been off having a baby break, the brooding Belgian has cunningly cornered his market, staring moodily out from the screen of every cinema we’ve wandered into. A Little Chaos sees his reign continue.

Set in the grand echelons of the Palace of Versailles, A Little Chaos follows the gardening exploits of King Louis XIV (Alan Rickman). Not quite content with the magnificence of the Palace alone, Louis decides he wants the gardens to be equally splendid so issues a commission for some new landscape designs. Alongside the great and good garden designers of the day one relative unknown, Sabine de Barra (Kate Winslet), takes up the challenge, proposing a radical design based – gasp – on letting a bit of natural disorder creep into the rigidly regimented style of the time. Louis is not convinced but fortunately head gardener André Le Notre (Matthias Schoenaerts), buys into Sabine’s vision and convinces Louis to give her a go.

What follows is part cerebral meditation on the meaning and purpose of art and part romantic drama as, needless to say, André isn’t simply enamoured with Sabine’s nifty way with a bit of privet hedging. Similarly, Louis is caught by Sabine’s naive simplicity and earnestness in contrast to the conniving vixens and villains at play within his court.

Kate Winslet, natch, does her pouty corset / messy hair thing with a bit of mud on her skirt for added characterisation. And Alan Rickman was born to be The Sun King – The Sloth can’t think of anyone else so inherently grand and both strangely sexless yet highly camp at the same time. Kind of like a regal newt.

A Little Chaos at times takes itself A Little Seriously but, flippancy aside, it does raise some genuinely interesting questions on how our perceptions of nature, beauty and art have changed over the ages. Ideas and aesthetics we take for granted now were radical, once upon a time. And if that doesn’t do it for you, maybe Matthias Cheesecake will.

UK release 14 April

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