Those of a nervous disposition, The Sloth strongly recommends you look away now. Nightcrawler sees Jake Gyllenhaal play Louis Bloom, one of the most memorably creepy characters to hit the screen for quite some time.
An unemployed loner with intense ambition, Louis’ manic stare and spouting of management-speak clichés learnt online lead most who meet him to give him a wide berth. Unable to find normal employment, Louis chances upon lone shark cameramen filming a car crash on an LA freeway, to sell the images to TV networks. Seeing the same footage on the following morning’s news, Louis decides this could be the vocation for him.
Acquiring a basic video camera, police radio interceptor and hapless assistant Rick (Riz Ahmed), Louis is soon hot footing it to accident scenes and jamming his lens into the faces of the dying and injured. Peddling his ill-gotten wares to a local TV station, he encounters hard-bitten director of news Nina Romina (Rene Russo) who, valuing ratings over morals, urges Louis to bring her footage of “victims that are white, well off, injured at the hands of the poor or minorities.” Her wish is Louis’ command and, being a resourceful type, he doesn’t stop there. Being first on the scene means he can ‘dress’ his ‘set’ as he wishes – dead body not quite in the best light? No matter, Louis will move it. And soon he graduates to not just videoing the news but orchestrating its creation – no matter the cost.
Jake Gyllenhaal is extraordinarily good as Louis. Gaunt, haunted and obsessive, we’ve no idea what gutter he crawled out of, but he’s so disconcertingly real it simply doesn’t matter. A timely and deeply, darkly troubling satire, Nightcrawler looks at our increasing appetite for ghoulish news stories and asks just how low can we go in the quest for TV ratings? Perhaps the most disturbing aspect is just how plausible some of it seems.
UK release 31 October 2014