Another year is drawing to a close, bringing cold sweats and minor existential crises: where is our life going? Is Kim’s bum REALLY that big? Can we ever learn to like eggs when they smell like farts but are such a good source of protein? To distract our feverish (and slightly drunk – it is Xmas party season) mind, we’ve drawn up our traditional Top 10 Movies Of The Year list. Without further ado, in (hic) reverse order:
10. 2 Days 1 Night. Gotta love the French: “J’ai une idée! We will mek a moral drama about le socialism and les workers rights! In a Belgian factory! Wiv a mother ‘ou is getting ze sack!” “Ah, but zat is not bleak enough, no?” “OK, zen ze mother ‘ou is getting ze sack, ‘ow about she es sick wiv ze depression as well?” “Ah oui! C’est magnifique!” And then they went and cast Marion Cotillard, so the dullest cinematic prospect ever conceived was amazing.
9. Frank. We salute it for various reasons. Primarily for the most ostentatiously cavalier use of Michael Fassbender, ever. Hire one of the most talented actors of his generation then hide him under a giant papier-mâché heid. For virtually the entire film. Respect.
8. Mr Turner. Logic says you couldn’t win Best Actor at Cannes with a performance based primarily on grunts. Logic be damned. Timothy Spall channelled his best Gloucester Old Spot to take home the gong in Mike Leigh’s utterly charming, witty biopic.
7. Maps To The Stars. We love it when Hollywood bites the hand that feeds it. Maps To The Stars bares its bleached white teeth and shellac coated claws to swipe mercilessly at La La Land’s narcissism and egoism. All the more cutting with the recent, unfortunate expose of catty emails from Sony execs…
6. Under The Skin. Scarlett Johansson. As a man-eating alien. Driving a white van. In Glasgow. The Sloth can only presume the idea emerged during a game of Boggle. And it was every bit as strange, original, unsettling and downright barking mad as you’d expect.
5. The Lunchbox. We’re not a particularly sentimental animal but occasionally we make exceptions. The Lunchbox was one such sweet, emotional and poignant exception, set against a rich and vivid portrayal of downtown Mumbai. Viewer Warning: overwhelming cravings for curry experienced at your own risk.
4. Guardians Of The Galaxy. Talking raccoons! Talking trees! Sony Walkmans! Green aliens! This is what we want! Join The Sloth in giving praise and thanks to the someone, somewhere, who remembered that movies are supposed to be fun.
3. Boyhood. You’ve heard the critics salivating over this. 12 years in the making…astonishing director’s vision…incredible achievement, yadda yadda. What really got The Sloth was it draws you unsettlingly back on a journey through your own past 12 years. History flashing before your eyes.
2. Nightcrawler. This looked so mouth-wateringly fabulous on paper – Jake Gyllenhaal as a manic sociopath in a dark media satire, with the always-terrific Riz Ahmed on the side – we thought we would only be disappointed. We weren’t. We’ve not watched the News At Ten since. Shudder.
1. Whiplash. We emerged from the press screening with our head spinning and cheers ringing in our ears. Cheers! From miserable, unimpressible, been-there-done-that, grumpy journos! A dark, exhilarating, 100 mins of sheer adrenalin.
Agree? Disagree? Cor blimey, That Sloth doesn’t have a clue what they’re talking about? Tell us – what made your list?







1) Seymour Parrish, One Hour Photo. The much missed Robin Williams is primarily remembered for his services to comedy, but The Sloth most admired his turn as an obsessive stalker preying on a suburban family. It’s always the quiet ones…
3) Frank Booth, Blue Velvet. Were we a lazy Sloth (oh, IRONY!) we could simply list 5 David Lynch films and leave this post there. But we’re not, so we’ll nominate Dennis Hopper’s gas mask wearing psychopath as a sadistically disturbed highlight.
4) Frank T McCay, Magnolia. Creepsters don’t always hide their light under a bushel. In arguably his best ever performance, Tom Cruise’s megalomaniac, misogynistic self-help guru dispensing seminars of ladykilling ‘advice’ to wannabe pick-up artists becomes even more disturbing after recent news stories surrounding Julien Blanc.
5) Frank, Donnie Darko. (NB Are you sensing some kind of pattern emerging? No? Just us?) Frankly (there it is again…), the entire film is essentially one long, surreal nightmare, but the intermittent, hallucinogenic images of Frank (gaahhh!!!!) the pyscho-bunny should come with a government mental health warning. Watch at your sanity’s peril.


Amelie (2001).
Under The Tuscan Sun (2003). Location: Tuscany
Before Sunrise (1995). Location: Vienna
Lost In Translation (2003). Location: Tokyo.
Vicky Cristina Barcelona (2008). Location: Barcelona.
1) Foxcatcher. A curious true story of an eccentric millionaire whose mentorship to two wrestling brothers took a sinister turn. Roundly lauded for its performances, led by Steve Carrell playing majorly against type, supported by Channing Tatum (how much has Channing blossomed since his early days as beefcake brawn? Good work, son!) and Mark Ruffalo, WE NEED TO SEE IT NOW!! WE’LL PAY GOOD MONEY!!
2) Maps To The Stars. It stars Julianne Moore, what other reason do you need? Oh, allright then. This satirical skewring of Hollywood, from David Croenberg, also features Robert Pattinson as a chauffer / actor wannabe thinking of converting to Scientology ‘as a career move’. Convinced?
3) Clouds of Silas Maria. Juliette Binoche, Chloe Grace Moritz and Kirsten Stewart all in the same film? In a tale of up and coming starlet vs. older actressy diva? We’ve not felt so much overwhelming girl power sass since Geri pinched Prince Charles’ bum.
4) The Rover. From David Michôd who directed the fabulous Animal Kingdom. Guy Pearce gets bloodied and beaten up in a distopian Australian outback. The ‘roos are the least of his worries.
Godzilla
Edge of Tomorrow
The Fault In Our Stars
Jersey Boys
Sex Tape


Best Actor: Michael Douglas, Behind The Candelabra
Best Actress:
Best Director: J.C. Chandor, All Is Lost
Best Song: Please Mr Kennedy, Inside Llewyn Davis
Best Film: Rush



